This isn’t an easy play to stage, given its dated message and apparent reworking of the novel’s core characterizations by the adapter. The full house on opening night seemed to sincerely appreciate the performance. When Ken Kesey died in 2001, his son read this statement at the memorial service: “If there is one thing he would want us to do it would be to carry on his life’s work. Namely to treat others with kindness and if anyone does you dirt forgive that person right away. This goes beyond the art, the writing, the performances, even the bus. Right down to the bone.” Remember that sentiment when you see this production. Continue reading →