Nothing melancholy about Sarah Ruhl’s Melancholy Play. It’s mostly exuberant. Billed as a contemporary farce, this whimsical fairytale romance for adults with a hint of mystery rolls merrily along in dreamy absurd-ville. What a relief to realize it exhibits none of the pretentious gimmickry of Ruhl’s highly praised and uninteresting domestic device dramedy The Vibrator … Continue reading →